Sigrid Dyekjær is one of the most experienced producers in Denmark when it comes to national documentary production and international cooperation. In financing, producing and creative consulting Dyekjær has an extraordinary ability to knock in doors and break down boundaries in the film-industry.

Young Greek producers are struggling. Could you give them some practical tips?

Go international. Always think of how you can bring your film up for an international audience, how you can finance it internationally, and how you can move your film language in a direction where it is understandable, and emotional engaging to an international audience. In Denmark we accepted a long time ago, that nobody speaks danish in the world. We only have 5 million people in our country. If we should live by making films, we simply had to get our films out to the world. Nothing is happening in Denmark, we have the most boring, safe country in the world. But we were all brought up with Hans Christian Andersen, and the way he tells a story. So telling a story, no-matter weather it is from Denmark or where ever it is, can be done in a way, where other people, from other countries can understand it. To us it is not so important whether it is a good story, but it is important HOW you tell the story. Hans Christian Andersen is running in our blood, no doubt about that, his trademark was how the story was told, what was the outer story, the story your thought you were listening to, but underneath that, there was more to it, a deeper lawyer that went right into your bones and reminded you of something in your own life. I am sure the Greeks can do this; I am sure they can tell Greek stories in an international way. And there is so much more money to get hold of internationally than in Greece.