Winner at Prix Europa Iris!

Strong women and humour is the recipe for the winner in the 2015 IRIS Doc category (intercultural docs)

PATIENCE 1

And the winner is Patience, Patience You'll Go To Paradise! by
Hadja Lahbib (Belgium, 2014, 85 min.)
After watching the film we had a group discussion (as we always do every day after screenings at Prix Europa)
Here is an interesting insight about reactions to the film.
First of all, the women in the group reacted and said:

I loved it - I wanted to shout/clap my hands while watching it, a lot of humor, it's the first time I saw this kind of story.
The whole day I am about to cry, but this film! I enjoyed the power and the humour!
Women empowerment, multi-culture, diversity, all in! Bravo!
Everybody was laughing, it was a good-mood film!
Brilliant!
Thank you for all the mothers, a film with a lot of love!
This film was a brilliant film about diversity.
At first I will say something very unusual - it was not too long! (87 min.)
It showed us that nothing is impossible.
I hope the Swedish television shows it.
It was such a relief - that these women dare to open the door and go!
The story is universal; my mum could also identify, and she is Swedish.
These women do something for the youngsters.
This film made my day!
It's challenging to treat serious films with humour!
We loved it!
This film was so rich - had so many layers, it was light but talked about heavy things (topics). There are scenes you carry for a long time.
You took us to a place (these women's world) where we would never be able to go!
Great humour and power in the film.
I wanted to go deeper into the individual life of them and we stayed most of the time in their group.
That's what I liked: that everything came out of a group discussion. The scene with the scarf was very strong!
Congratulations!
This programme speaks to all the audiences. It was so authentic. And even disability was a part of the normal life. This is an extra point for the film.

And then Hadja Lahbib from Belgium (journalist, director, author, producer) responded to the comments. It was a very difficult film. It took three years of her life. In the beginning she produced it alone. She had a bigger group of women of different nationalities, and a lot of them stepped out, and then she made the film we saw.

"I had no support from the commissioners (they said the script is not good, they wanted women with veil etc.); only RTBF, the broadcaster where I work, was positive from the beginning."

RTBF-HADJA LAHBIB
Hadja Lahbib, not only a good documentary director but also a very successful journalist and anchorwoman in Belgium

About the film:
In the 1960s, thousands of North Africans came to work in Belgium. Among them were women who had left everything behind to follow their men to an unknown country. “Patience, patience—you’ll get to heaven” was what these women were repeatedly told to encourage them to put up with their lives without complaining. Fifty years on, some of them are savouring emancipation. They turn out to be incredibly fun, loving, and capable of uninhibited self-mockery. This film follows them as they make new discoveries, through the simplicity of their excursions, their warm femininity, and sense of humour.

Watch the trailer (in French)

Production / Diffusion : Les Passeurs de Lumière, Clair-Obscur Productions, RTBF Bruxelles, ARTE France

Nobody can hide anymore!

Last day at Prix Europa, with the On Line category. Projects are getting better and better every year!

Do not Track is a seven-episode cross-media project, an international, personalised web doc series about privacy and the web economy. It explores how information is collected and used, and how data broking works. The project is a co-production between Upian BR ARTE and ONF NFB (Canada).

You will be surprised to find out how much information you give up for free, while others earn a lot of money out of it! The impact of the project on the viewers since they used it:

  • 27% are more aware of privacy
  • 21% changed their behaviour online

The topic is the worldwide trade of personal data. People think that its very abstract but it is happening. Companies track your data and then sell it to other companies which create personalised ads.

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Where do you get your news from?

Everything you do on the web provides clues as to your needs. It is customised based on your habits. What does it mean that they “know” where I am, what I like, where I spend my time?

It’s scary to see how much of your personal info you give up by just liking a page on Facebook. Your likes give away more about you than your husband or wife knows!

This info can be used to produce a character analysis for you, or to assess your bank credit!

The episode about mobile phones talks about the spy in your pocket and about the terms on tracking that you agree to when you download an app. It had  860,000 visits, 4,700,000 page views, most of them in Germany, and it attracted a 25-34-year-old audience.

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The project will continue, working with schools.

Check it out: https://donottrack-doc.com/de/intro/

Prix Europa 2015

Prix Europa’s Online award screenings start today. The category is coordinated by Kare Vedding Poulsen from Denmark, cross-media manager at the Danish Broadcasting Corporation for the last ten years, and BBC’s Silvia Costeloe from the UK. Silvia spoke to me about the Online category at Prix Europa 2014. She also shared insights from her extensive experience in using new technologies efficiently to tell stories, which has always been at the heart of her job at BBC World News. Her main task is to harness Social media to improve journalism on Social platforms during news-gathering and on air.

Listen to the interview:

https://soundcloud.com/user-409450725/silvia-costeloe

It’s quite common to visit a festival and nevertheless manage to watch one or two films only. A paradox? All those appointments and work don’t leave us much time for what is most fulfilling in our line of work: watching well-made documentary films.

That’s what’s so good about Prix Europa, which started yesterday at the Radio building in Berlin. During the course of one week, you can not only watch documentaries but also participate in the discussion at the end of each day of screening.

There are 23 entries in the TV Doc category, for instance. They were selected out of the 200 submitted from all over Europe. The jury are the filmmakers themselves, who must watch each day’s films and vote after a discussion at the end of the day and grade each film from 1 to 10, based on five criteria. The highest-rated film will earn the title of the Best Documentary of the Year at the end of the week and will receive 6,000 euro. And what’s most important – the judges are the strictest ones possible: fellow producers and channel CEs.

Everyone can attend as an observer, even if you don’t have a film of your own, and participate in the interesting debate every evening.

I am Cuba is being screened today.  Current Affairs Documentary category starts tomorrow (Tuesday), as well as the cross-media projects competing for the Online award. On Wednesday, it’s time for Iris, with films of intercultural interest. The Queen of Silence features among the competing films: Ten-year-old Denisa is an outcast in more ways than one. She is an illegal citizen, living in a gypsy camp in Poland, but most of all she does not speak, as no one has ever diagnosed her severe hearing disabilities. She lives in a world of her own, full of rhythm and dance, imitating the glamorous women from Bollywood DVDs she found in a nearby garbage bin. Dancing, she can be anyone she wants, even a queen; she can escape the harsh reality and express all that she cannot speak in words – joy, sadness and fear.