Category Archives: EN

Is this Greece’s next prime minister?

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Hope on the line (Greece, 2013, 73 min.), directed by Alexandros Papanikolaou & Emily Giannoukou, follows the leader of the Greek radical-left party Syriza, Alexis Tsipras, during the course of a year, from the campaign for the close-call June 2012 elections to the sudden shutdown of the Greek public broadcasting corporation (ERT) in June 2013. Shedding light on Tsipras' personality, political views and ambitions, the film includes insider's footage from the party, the views of militants and high-ranked members, and witnesses decision-making processes both in Greece and abroad. From the frontline man, Alexis Tsipras, up to the party's Political Bureau, strategy is being built, political lines evolve, another future for the nation is timidly being imagined. Within the political turmoil, Greek citizens seek answers to their fundamental and dramatic questioning. The very status of the country is at stake: its place in Europe, its future and destiny.

What is so fascinating about this story?


The economic crisis in Greece, as well as elsewhere in Southern Europe led public opinion to take an introverted turn and installed a sense of distrust toward traditional politicians. Thus, the center parties, as in most European countries, are struggling to stay in power, while extreme groupings and radical parties are rising in the polls. In Greece, where the crisis worsened dramatically in a very short period of time, and where democracy is expressed directly as a result of the country's electoral system, the fact that Syriza might take power becomes all the more significant. Syriza rose from 4.5% to 27% in less than three months, and became the second-largest party in Greece and the leading opposition party.



Alexis Tsipras has an intriguing personality. An ambiguous and lesser-known figure until recently, he now stands a great chance of becoming the next prime minister of Greece. He is fairly experienced despite his young age. Thus, he was able to change the political scene in the country and win the support of voters who have grown disenchanted with the old parties.



This film shows the transformation of Syriza during the month that preceded the election, also seeking to reveal the actual goings-on within the party in order to provide a better understanding of the way decisions are taken. During the last campaign, we saw the young and charismatic Alexis Tsipras emerge as a true threat to his opponents, even if he was narrowly defeated in the end because of the debate over the euro. He managed to change the way his party is perceived by centre-ground voters and got a spectacular number of votes.



Through this documentary, we focus on Alexis Tsipras' personality during a crucial historical moment. We also try to provide insight into the political views that emerge from discussions behind closed doors, inside the party, how these views evolve and how Tsipras presents these ideas to the public, as well as how he shapes public opinion and becomes a symbol of opposition to the memorandum. Our aim was to sketch the image of a political persona during this difficult political juncture in Greece at which society is trying to regain its bearings.

Read the complete interview with Alexandros Papanikolaou & Emily Giannoukou.

Watch the official trailer.

Kismet Production Details

Writer | Director: Nina Maria Paschalidou

Cinematography: Michalis Aristomenopoulos, ADDITIONAL CINEMATOGRAPHY: Christophoros Loupas, George Karvelas. CAMERA: Dimitris Michalakis, Snorre Wik, Ozgur Baykal, Gabriel Psaltakis, Umut Kebabci.
Research: Hilal Bakkaloglu (Turkey), Mohamed El Tohami (Egypt), Danae Leivada (Greece), PRODUCTION MANAGER: Eleni Christodoulou
Editing: Thodoris Armaos
Music: Spyros and Michalis Moshoutis
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Producers: Rea Apostolides, Yuri Averof & Nina Maria Paschalidou. Produced with Forest Troop. Co-produced with Agitprop, Nukleus Film and Veritas Films in association with AL JAZEERA, ARTE, SVT, YLE, RTS, CYBC, KNOWLEDGE CHANNEL, CHANNEL 8, MRT and BTV., Supported bu MEDIA, the CROATIAN AUDIOVISUAL CENTRE, the BULGARIAN NATIONAL FILM CENTRE and the GREEK FILM CENTRE..

World distribution: FILMS TRANSIT International JAN ROFEKAMP 252 Gouin Boulevard East Montreal, Quebec, Canada H3L 1A8 Phone (514) 844 3358 Fax (514) 844 7298 www.filmstransit.com e-mail: [email protected]

Suleiman in Thessaloniki

KISMET explores the phenomenal success of Turkish soap operas from Turkey to the Middle East, North Africa and the Balkans, capturing their poignant impact on women across the region.

Kismet by Nina Maria Paschalidou premiert at idfa 2013 in November, it was one of the documentaries of ARTE for the special Theme Week "Starke Frauen", Power Women and was broadcasted on Sunnday March 9 under the title “Kismet, Emanzipation auf Türkisch”.
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In Istanbul, Cairo and Abu Dhabi, the film discovers how prime time Turkish soaps are breaking taboos and inspiring women to change their lives. In ‘Fatmagul’, a woman is raped but finds the courage to take her case to court. In ‘Life Goes On’, a girl is forcibly married to a 70-year-old man. In ‘Noor’, the protagonist suffers before discovering true romantic love, and in ‘Suleiman the Magnificent’, our sympathies lie with a Christian slave who becomes the most powerful woman of the Ottoman Empire.
The film uncovers how these melodramas are capturing Muslim audiences by showing how Turkish women handle modernity. Featuring unprecedented secular liberties -extramarital affairs, women struggling to assert themselves in the workplace, divorce- these soaps also question current practices, such as arranged marriages, violence against women, child marriages and honor crimes.

Kismet will make its Greek premier at the Thessaloniki Doc festival on March 20 and 23, it will make an Avant-Premiere on Tuesday 25-3 during the Festival du Film Francophone in Athens and after that starting March 27 it will be distributed by CineDoc (Rea Apostolides, Aura Georgiou and Dimitra Kouzi) in the cinemas in Athens (Danaos and Sporting) and Thessaloniki (Olympion).

trailer: http://you.tube/aPTgLPf8x00

Lets talk about KISMET

Interview with the Director Nina Maria Paschalidou about her documentary KISMETpasxalidou1
What is so fascinating about this story?
When you first watch Turkish Soap operas, or any soap operas, you cannot imagine that they can actually affect women in this way. But there are many levels to a story and one has to be open to see them. Especially when you are filming a documentary, I believe that the secret is to see beyond the obvious elements in a story and dig deeper.

How did you approach casting for your main characters?
We conducted a lot of pre-production and we spent months in Egypt and Turkey, locating our mail characters and also obtaining access to the industry and Turkish actors. We actually found many women whose lives have been affected by watching the series. Especially in Egypt, we met women, who don’ t have Egyptian role models any more, especially after the failure of the Arab Spring, they don’t even have hope in finding role models any more. This is why Turkish women, presenting a modern type of Muslim women, who are fighting for what they want and are getting it appear inspiring. In finding characters we also had a lot of help from our co-producers in the United Arab Emirates, in Bulgaria and Croatia.

What do these women have in common and what makes them different?
What these women have in common is the need for love, respect and happiness. I know it sounds cliché, but these are very common for women around the world. So the struggle for women’ s rights is common, and it spreads from the Arab World to the Balkans to the West. Look at what is happening in Spain right now on the issue of abortions. The fight never ends even in parts of the world we consider to be modern. On the other hand, we must not forget that each country has its unique characteristics. And so do the women in these countries. What divorce means to one woman is not the same to what it means for another. One can see this difference in the film, in the story of Samar, who is inspired by the series Fatmagul and breaks her marriage after 13 years of suppression and violence. It is not the same to divorce in Abu Dhabi, as it is Athens. Traditions are also very different and one has to always consider them when studying or filming women. But it is all these that make women magnificent to film, I find that women characters are complicated, and fascinating at the same time, and very intriguing to follow in a film. Being a woman also helped very much with gaining access to these women’ s lives. There are some things that a woman only tells a woman.
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What was the challenge for you telling this story?
The challenge was to be sincere. And this is the challenge in every documentary. Not to fall into your own premonitions, prejudice, and to follow the story where it takes you. And I am insisting on this, because so far in Greece, the only approach to Turkish Soap operas, was negative, and they are considered Turkey’s cultural weapon.

How did you change after finishing this film?
I think I have a better understanding of myself as a woman, and also I have learned to never ignore something that can be considered “cheap” in some people’s dictionary. Even soap operas can be useful in society, and I don’ t believe in those who snob them, because I think that these are the very same people who secretly watch them when no one is around.

What is success for you?
Success is to do what you love the most. Creating documentary films is what I love, but my prime need for this comes from my wish to understand the world. Maybe this is a method to understand myself, as well as humanity. It is a lonely process, sometimes you lose yourself in the lives of others, but it is worth it.

Be at the Pitching 2014 in Thessaloniki !

A must place to be during the Festival are the Open Pitching Sessions in Pavlos Zannas, Olympion cinema, on Saturday 22 March from 10:00-15:00 and on Sunday 23 March 10:00-13:00.
The pitching Forum is the place to see the latest developments in the documentary sector, learn about changes in the market and watch the presentation of 21 fresh projects ready for co-production. It is like always organized by the EDN.news-thessaloniki-documentary-festival

The Pitching Projects this year are:
After the Dream director: Loraine Blumenthal, produced by Rob Mitchell, Firstborn Studios, UK
Andreas Papandreou – The Making of a Political Maverick directors: Yianni Drakos and Stan Draenos, produced by Magnus Briem, Schadenfreude Films, Greece.
Carbon Trade/Off director: David Soto-Karlin, produced by Aaron Soto-Karlin, NoMoha Media, Mexico and USA
Digitalcurry director: Francesca Scalisi & Mark Olexa, produced by Mark Olexa, Italy
Falc/Harm director: Dénes Nagy, produced by Sara Laszlo and Marcell Gerö, Campfilm Production, Hungary
Five Times a Stranger director: Vangelis Efthymiou. Producer: Maria P. Koufopoulou, Land Art Productions, Greece
The Forgotten Army director: Signe Astrup, produced by Jesper Jack, House of Real, Denmark
The Fragments director: Rojda Akbayır, produced by Zeynep Köprülü, Periferi Film, Turkey
The Honorable Generation director: Nima Sarvestani, produced by Maryam Ebrahimi, Nimafilm AB, Sweden
Il non detto director: Tim De Keersmaecker, produced by Emmy Oost, Cassette for timescales, Belgium
In Dependence director: Henriikka Hemmi, produced by Sami Jahnukainen, Mouka Filmi, Finland
Jonathan Agassi Saved My Life director: Tomer Heymann, produced by Barak Heyman, Heymann Brothers Films, Israel
Leaves of the Horn directors: Davide Morandini, David Chierchini, Matteo Keffer, produced by Lucio Mollica, GA&A Productions, Italy
Life and Death of Max Linder director: Edward Porembny, produced by Monika Bednarek, AMP Polska, Poland
The Most Boring Thing in the World directors: Christina Pitouli, Carlos Muñoz Gomez-Quintero, produced by Joan Soler, Cinefilms Productions, Spain
Next Stop: Utopia directors: Apostolos Karakasis, produced by Marco Gastine, Minimal Films, Greece & Carl Ludwig Rettinger, Lichtblick Film, Germany
The Promise director: Zeljko Mirkovic, produced by Zeljko Mirkovic, Optimistic Film, Serbi & Dusan Gajic, SEETV, Belgium
Samuel en las nubes director: Pieter Van Eecke, produced by Hanne Phlypo, Clin d’oeil films, Belgium
Three Lives director: Yan Ting Yuen, produced by Reinette van de Stadt, Trueworks, Netherlands
Transit Havana director: Daniel Abma, produced by Iris Lammertsma, JvdW Film, Netherlands
Violence director: Åsa Ekman, produced by Oscar Hedin, Film and Tell, Sweden

The following financiers have confirmed their participation in the open pitching session:
Hanka Kastelicova, HBO Europe, Slovenia/Hungary / Kerime Senyücel, TRT, Turkey / Wim Van Rompaey, Lichtpunt, Belgium / Jenny Westergård, YLE, Finland / Jan Rofekamp, Films Transit, Canada / Kathrin Brinkmann, ZDF/ARTE, Germany / Lars Säfström, SVT, Sweden / Flora Gregory, Αl-Jazeera English, UK / Ivana Pauerová, CT, Czech Republic / Anne Grolleron, ARTE France, France / Claudia Neuhauser, ORF, Austria

IDFA is looking for emerging documentary film talent!

IDFAcademy Summer School 2014

From June 30 through July 5 2014, IDFA organizes the seventh edition of the Summer School: a tailor-made training program for emerging filmmakers, taking place in Amsterdam and aimed at strengthening the narrative structure of documentary projects. Around sixteen projects from all over the world will be selected for the Summer School 2014. The deadline for submission is April 1, 2014.

IDFAcademy Summer School offers the opportunity to meet and work with highly esteemed filmmakers and film professionals who are willing to share their knowledge and experience with emerging film talent. The Summer School combines individual coaching with group sessions and an inspiring cultural program in a relaxed atmosphere. It offers two types of training possibilities: Script Development and Editing Consultancy.

Participants will be coached by eight international documentary experts. In previous years experts like Gianfranco Rosi (Director, Italy), Audrius Stonys (Director, Lithuania), Emma Davie (director, Scotland), Kate Townsend (Executive Producer BBC Storyville, UK), Sabine Bubeck-Paaz (Commissioning Editor ZDF, Germany), Debra Zimmerman (Distributor Women Make Movies, USA), Jesper Osmund (Editor, Denmark) and Peter Wintonick (Producer/ Director, Canada) were tutors at the Summer School.

Filmmakers who are selected have the opportunity to bring a sparring partner: a creative producer, a co-scriptwriter, or an editor in the case of participation in Editing Consultancy. If a project is selected, a participation fee for two persons of a total of €1000,- (excluding VAT) or in case of one person for a total of €750,- (excluding VAT) is due. This fee does not cover travel, accommodation or food expenses. There is a scholarship available per project (accommodation) for international participants.

For more information IDFAcademy Summer School how to apply, see http://www.idfa.nl/industry/idfacademy/attend-summer-school.aspx

Interview with Gudrun Sommer, doxs!

Dimitra Kouzi talked with Gudrun Sommer, the director of the unique festival Doxs!, which just took place in Duisburg, Germany (November 4-10). Watch the interview.(video in German with Greek subtitles)

doxs! is the oldest German film festival exclusively presenting documentaries for children and adolescents. The international film programme is part of the well-known documentary festival Duisburger Filmwoche. Each screening is accompanied by a moderated Q&A. The entry to all screenings is free for accredited festival guests and pupils.

doxs! works in various fields of media education and constantly develops new pilot-projects that set pace and break new ground.
doxs! jointly produced with the Goethe Institut a unique European Documentary film package, Young Heroes, in 2006.

The ultimate guide to transmedia

Transmedia means telling a story via several different media platforms and giving the audience the option to participate. This does not mean that the story is just ‘displaced’ from one platform to the next: true transmedia stories use each platform to add something new to the overall narrative.

This is one of the first and the most successful transmedia project.

And this is the ultimate guide to transmedia.

A Greek film about Turkish Soap Operas premieres at idfa

KISMET - How Turkish Soap Operas Change the World
directed by Nina Maria Paschalidou premieres at idfa on 23.11

Have you ever watched a Turkish soap opera? What to you think about them?

Turkish soap operas are incredibly popular - and not just in Turkey. Throughout the Middle East, North Africa, the Balkans and Asia, millions of viewers are glued to every episode of series such as Noor, Fatmagul, Suleiman and Life Goes On. The Turkish cities used as locations have become tourist attractions, and huge numbers of parents name their children after the main characters. Kismet seeks out the secrets behind the soaps, which while breaking taboos also count many strict Christians and Muslims among their loyal audience. The film alternates interviews with the stars, directors, and scriptwriters with analyses by sociologists and portraits of faithful fans - most of them female - from Abu Dhabi, Cairo, Athens, Mostar, Sofia and Istanbul. The soaps transcend cultural and religious boundaries, and their devotees see them as much more than a temporary escape from their often dismal social reality. They may swoon at the hotly debated romantic intrigues, but they are also emboldened by the female characters, all of whom are strong, independent fighters. Alongside illustrative scenes from the series, the documentary brings us the personal stories of women who followed in the footsteps of their heroines to fight for their rights, and to ultimately break free of oppressed lives.

Watch the trailer.

Festivalitis

Sussanne Guggenberger at the DOK-TalksSussanne Guggenberger organized DOK-Talks.

There are over 4000 festivals in the world! At the Dok talks of Dok Leipzig we had the possibility to get to know – hear little more about, Krakow Film Festival, the Docu Festival in Kosovo, the Moscow Film Festival, Dok Outlook International Market, Cinema Du reel in Paris, Sheffield Doc Fest, Bratislava Doc festival, CineDoc in Athens, Tempo Documentary Festival in Stockholm Sweden and Chopshots Documentary Film Festival held in April in Jakarta, Indonesia.

The Krakow Film Festival was founded in 1961. It is held end of May-beginning of June, after Cannes and before Sheffield, and has a new exiting category: Music Docs! This year they also have a special country tribute to Britain. They are looking for author-driven docs; the stories should be universal, and the premiers must take place in Poland.

There may be no cinemas in Kosovo, yet the Dokufest.com organizers created eight cinemas in public spaces! There they festival is held every year in August. They topics are human rights, environment, youth, films from the Balkan area. This year they have the theme
Breaking borders. They submission begins on Friday 1st November and ends in March. The Kosovo doc festival made it into to create cine clubs in highshools and schools and they hold a program called Future is here. This aim is to help students up to 25 years to try to produce short docs in 7 days.

Moscow has a very popular and successful Film Festival with a small doc section. And they have created a strand in television for their films.

Visions du Reel,
in Nyon, Switzerland, focus on director-driven films with an emphasis on cinematographic language and is held in the end of April. Next year they have a special on Tunisia. The festival is a Doc Alliance member and has a very strong market.

Cinema Du Reel
is a festival held at the Centre Pompidou, in Paris. All topics are fine with them, as long as the film has an author point of view, is director-driven, with a signature, or follows the rules of cinéma vérité. They don’t have a market but next year they will organize special screenings for professionals. Deadline for submissions: March 20-30.

Sheffield Doc Fest is a big and important documentary festival in Britain. They have 20.000 visitors and the festival is held in June. There are screenings, a market and a conference. Submissions are online until 25/1. They have several awards; one of them is the Green award. They care about topical stories with a strong point of view. Their Meet Market is a one-to-one meeting place where 65 projects are pitched to the 300 decision makers. Sheffield makes a lot of matchmaking work! There is also a cross-platform program where new formats and hybrid interactive docs find their place. They cooperate with the documentary campus. Hint: don't miss their parties – especially the roller disco!