Interview with Gudrun Sommer, doxs!

Dimitra Kouzi talked with Gudrun Sommer, the director of the unique festival Doxs!, which just took place in Duisburg, Germany (November 4-10). Watch the interview.(video in German with Greek subtitles)

doxs! is the oldest German film festival exclusively presenting documentaries for children and adolescents. The international film programme is part of the well-known documentary festival Duisburger Filmwoche. Each screening is accompanied by a moderated Q&A. The entry to all screenings is free for accredited festival guests and pupils.

doxs! works in various fields of media education and constantly develops new pilot-projects that set pace and break new ground.
doxs! jointly produced with the Goethe Institut a unique European Documentary film package, Young Heroes, in 2006.

The ultimate guide to transmedia

Transmedia means telling a story via several different media platforms and giving the audience the option to participate. This does not mean that the story is just ‘displaced’ from one platform to the next: true transmedia stories use each platform to add something new to the overall narrative.

This is one of the first and the most successful transmedia project.

And this is the ultimate guide to transmedia.

A Greek film about Turkish Soap Operas premieres at idfa

KISMET - How Turkish Soap Operas Change the World
directed by Nina Maria Paschalidou premieres at idfa on 23.11

Have you ever watched a Turkish soap opera? What to you think about them?

Turkish soap operas are incredibly popular - and not just in Turkey. Throughout the Middle East, North Africa, the Balkans and Asia, millions of viewers are glued to every episode of series such as Noor, Fatmagul, Suleiman and Life Goes On. The Turkish cities used as locations have become tourist attractions, and huge numbers of parents name their children after the main characters. Kismet seeks out the secrets behind the soaps, which while breaking taboos also count many strict Christians and Muslims among their loyal audience. The film alternates interviews with the stars, directors, and scriptwriters with analyses by sociologists and portraits of faithful fans - most of them female - from Abu Dhabi, Cairo, Athens, Mostar, Sofia and Istanbul. The soaps transcend cultural and religious boundaries, and their devotees see them as much more than a temporary escape from their often dismal social reality. They may swoon at the hotly debated romantic intrigues, but they are also emboldened by the female characters, all of whom are strong, independent fighters. Alongside illustrative scenes from the series, the documentary brings us the personal stories of women who followed in the footsteps of their heroines to fight for their rights, and to ultimately break free of oppressed lives.

Watch the trailer.

Festivalitis

Sussanne Guggenberger at the DOK-TalksSussanne Guggenberger organized DOK-Talks.

There are over 4000 festivals in the world! At the Dok talks of Dok Leipzig we had the possibility to get to know – hear little more about, Krakow Film Festival, the Docu Festival in Kosovo, the Moscow Film Festival, Dok Outlook International Market, Cinema Du reel in Paris, Sheffield Doc Fest, Bratislava Doc festival, CineDoc in Athens, Tempo Documentary Festival in Stockholm Sweden and Chopshots Documentary Film Festival held in April in Jakarta, Indonesia.

The Krakow Film Festival was founded in 1961. It is held end of May-beginning of June, after Cannes and before Sheffield, and has a new exiting category: Music Docs! This year they also have a special country tribute to Britain. They are looking for author-driven docs; the stories should be universal, and the premiers must take place in Poland.

There may be no cinemas in Kosovo, yet the Dokufest.com organizers created eight cinemas in public spaces! There they festival is held every year in August. They topics are human rights, environment, youth, films from the Balkan area. This year they have the theme
Breaking borders. They submission begins on Friday 1st November and ends in March. The Kosovo doc festival made it into to create cine clubs in highshools and schools and they hold a program called Future is here. This aim is to help students up to 25 years to try to produce short docs in 7 days.

Moscow has a very popular and successful Film Festival with a small doc section. And they have created a strand in television for their films.

Visions du Reel,
in Nyon, Switzerland, focus on director-driven films with an emphasis on cinematographic language and is held in the end of April. Next year they have a special on Tunisia. The festival is a Doc Alliance member and has a very strong market.

Cinema Du Reel
is a festival held at the Centre Pompidou, in Paris. All topics are fine with them, as long as the film has an author point of view, is director-driven, with a signature, or follows the rules of cinéma vérité. They don’t have a market but next year they will organize special screenings for professionals. Deadline for submissions: March 20-30.

Sheffield Doc Fest is a big and important documentary festival in Britain. They have 20.000 visitors and the festival is held in June. There are screenings, a market and a conference. Submissions are online until 25/1. They have several awards; one of them is the Green award. They care about topical stories with a strong point of view. Their Meet Market is a one-to-one meeting place where 65 projects are pitched to the 300 decision makers. Sheffield makes a lot of matchmaking work! There is also a cross-platform program where new formats and hybrid interactive docs find their place. They cooperate with the documentary campus. Hint: don't miss their parties – especially the roller disco!

Are you looking for a festival?

Check out filmfestivallife.com! They have 800 festivals listed and counting. And they do a great job helping directors not only to find the right festival, but also to apply easily.

See also my post Festivalitis.

Talking about Festivals

The Industry talks start tonight with the profile of a few quite interesting international festivals. Moderated by Susanne Guggenberger in the Pfeffermühle Café, the Talks with industry experts and producers/filmmakers,cover topics such as distribution and marketing options for your film and transmedia project, as well as specifics of markets, their players and introductions to festival programmers. So tonight we will meet festival programmers and find out what they are looking for! Neasa Ni Chianain, Guth Gafa International Documentary Festival, Falcarragh, Ireland (tbc), Galla Bador, Doc Aviv, Tel Aviv, Teddy Grouya, American Documentary FF, Palm Springs, Lulu Ratna, Doc Shot Indonesia,Yogyakarta (tbc), and Ana de la Rose Zamboni, IFF Guadalajara, Mexico.

If you want to know more about festivals check out filmfestivallife.com.

Croatian Films at the 56th DOK Leipzig

This year’s important novelty is the SEED initiative launched by Restart and the Croatian Audiovisual Centre alongside six other regional partners with the aim of promoting documentary films made in Southeast Europe.

SEED – South East European Documentaries, is the initiative launched by Restart from Zagreb in association with the Croatian Audiovisual Centre and several regional partners: Bulgarian National Film Centre, Film Center Serbia, Slovenian Film Centre, Macedonian Film Fund, Ministry of Culture of Montenegro, and Balkan Documentary Center from Bulgaria. The aim of the initiative is to draw attention to regional co-production potentials, present the latest films to other festival programmers and stimulate networking between documentary filmmakers in the region and beyond.

Several Croatian films have also been included in the DOK market (and SEED also published a catalogue). These are Gangster of Love by Nebojša Slijepčević (nominated also at Prix Europa 2013), Occupation, The 27th Picture by Pavo Marinković, The Verdict by Đuro Gavran and Velvet Terrorists by Peter Kerekeš.

And the winner of Prix Europa 2013 is…

PRIX EUROPA - Best European TV Documentary of the Year 2013

THE PUNK SYNDROME - A FILM ABOUT PERTTI KURIKAN NIMIPÄIVÄT / Kovasikajuttu Directed by Jukka kärkkäinen, J-P Passi

entered by Yle, Finland, produced by Mouka Filmi, co-produced by Indie Film, Auto Images, Film I Skåne

This film is about Finland’s most kick-ass punk rock band, Pertti kurikan Nimipäivät. The band members, Pertti, kari, Toni and Sami, are mentally
handicapped and they play their music with a lot of attitude and pride. We follow these professional musicians on their journey from obscurity
to popularity. We watch them fight, fall in love and experience strong emotions. We witness long days in the recording studio and on tour.
They laugh, cry, drink and fight over who gets to sit in the front on the tour bus. Then it is time to make up and go talk to people in the audience
and tell them how great their band is. Their songs are about the problems in society as well as about things that
they face in their everyday life: how going to the pedicurist sucks and the misery of living in a group home. The guys give a piece of their minds
to both politicians and people whose attitudes towards people with intellectual disabilities need improvement.
This film is about the essence of punk. It is a story of handicapped people rebelling against the mainstream. This time you are allowed to stare and
wonder why they act the way they do. And you will fall in love with them as you watch how the most kick-ass punk band in Finland conquers the
world.

trailer http://www.youtube.com/watch?v=xM58kP_JHkQ

and at the category of
TV IRIS - Under the Patronage of the Dutch Public Broadcaster NTR

PRIX EUROPA Best Intercultural TV Programme of the Year 2013

the documentary

DISPLACED PERSSONS / Familjen Persson I främmande land, Directed by åsa Blanck and Johan Palmgren

Per Persson left Sweden 40 years ago in search of adventures. He drove eastward in his Land Rover and ended up in Pakistan where he
fell in love with Shamim. They married, settled down in Lahore and had two daughters, Zahra and Maria. Per raised his daughters to be free and
strong women which wasn’t very popular with neighbours and relatives. As Zahra and Maria grew older the family felt more and more threatened
by the surrounding society. At last, when the girls are in their mid-twenties, the family takes the difficult decision to move to southern Sweden, back to Per’s roots. Shamim, Zahra and Maria have great hope for their lives in the new country but once in Sweden nothing turns out as expected. The family have to live in a small caravan while being stuck in the Swedish bureaucracy, with endless meetings and paperwork. Money is scarce and their dreams slowly fades away.
After a while Zahra falls in love with Aun, a fellow Pakistani also trying to find a new life in Sweden. When Aun’s Swedish visa expires he moves
back to Pakistan and from there he proposes to Zahra, which she accepts. After a tearful goodbye Zahra leaves for Pakistan but promises she will be
back in Sweden, in a year or so. In the meantime Per, Shamim and Maria slowly begin to build a decent life in Sweden and especially Maria likes
her new country more and more. And finally, after years of longing, the family is reunited when Zahra and
Aun comes back to Sweden.With them they bring their son Lille-Pelle, Per’s first grandson. The whole family celebrate and rejoice, but will they live happily ever after?
Well, as Per says: ‘Right now things are pretty good, but how the future will be? Inshallah!’

entered by SVT, Sweden, produced by Strix, co-produced by The Swedish Filminstitute, NRK, Yle
http://www.svt.se/kultur/film/familjen-persson-i-frammande-land

More about Prix Europa here.

ARTE Greek Day on YouTube!

WATCH my presentations of the ARTE THEME GREEK DAY on August 15 2013 on YouTube!
Available in German (original language) and French.

PRESENTATIONS in GERMAN : http://www.youtube.com/playlist?list=PLlQWnS27jXh8tc9hu53lhwlwfQYlJYLmE

PRESENTATIONS in FRENCH : http://www.youtube.com/playlist?list=PLmfiCnVD2LL6kKEXGltuRbemuVYD2jwjY

Who is Michael Haneke ?

In 25 years, Michael Haneke established himself as one of the most important directors in cinema history. From his early work to AMOUR, he created a unique universe, revealing like no other the dregs of our society, or existential fears and emotional outbursts. Through the vision of his actors and previously unseen footage, MICHAEL H. depicts the work of a rare artist. images

Yves Montmayeur talked to Dimitra Kouzi about his new documentary Michael H. Profession: Director when visiting Athens for the screening at CineDoc on October 9, 2013.Yves MONTMAYEUR

Listen to the interview he gave me (in English).

Watch the official trailer.

documentary production | outreach | audience development | storytelling